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IWW
Practice-W Exercise Archives
Exercise: Oh God, Why Me? (Version 3)
These exercises were written
by
IWW members and administrators to provide structured practice
opportunities for its members. You are welcome to use them for
practice as well. Please mention that you found them at the Internet
Writers Workshop
(http://www.inte
rnetwritingworkshop.org/).
Prepared by: Rhéal Nadeau
Posted on: September 14, 2003
Reposted on: September 26, 2004
Reposted on: October 2, 2005
Revised and reposted on: February 25, 2007
Reposted on: May 28, 2008
Revised and reposted on: May 17, 2009
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In 300 words, write a scene with someone faced with a series of
unfortunate events. The author may choose between internal (man vs.
himself) or external forces (man vs. man, man vs. nature) for your
character. The concept, of small things leading to big consequences, is
a very valuable tool in story-telling. Show the readers how the
characters deal with each event. How does the character react to these
events? Does the character feel anger or self pity? Does the character
persevere or change direction?
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A necessary element in fiction, as in life, is conflict. Conflict
creates tension, raises challenges, and adds suspense to a story. There
are many types of conflict, and just as many ways to categorize them.
In short stories, the focus will usually be on a single type of
conflict. In longer works, we'll usually find a mixture of conflicts.
The conflict may not always be a
single epic challenge, but a series of conflicts that become an
obstacle for the character.
In 300 words, write a scene with someone faced with a series of
unfortunate events. The author may choose between internal (man vs.
himself) or external forces (man vs. man, man vs. nature) for your
character. The concept, of small things leading to big consequences, is
a very valuable tool in story-telling. Show the readers how the
characters deal with each event. How does the character react to these
events? Does the character feel anger or self pity? Does the character
persevere or change direction?
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When critiquing, look at what forces are at play, and how the events
unfold. Does the character react in a credible - and
interesting - way? If anything stretches credibility, say so. On the
other hand, also point out the things that work well.
Web site created by
Rhéal Nadeau and
the administrators of the Internet Writing Workshop.
Modified by Gayle Surrette.
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