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IWW Practice-W Exercise Archives
Exercise: Touch (Version 2)

These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writers Workshop (http://www.internetwritingworkshop.org/).


Prepared by: Rheal Nadeau
Posted on: 29 Apr 2001
Reposted on: 24 Feb 2002
Reposted on: 17 Nov 2002
Reposted on: 1 Jun 2003
Reposted on:  26 Jun 2005
Reposted, revised, on: 20 Aug 2006


This week's exercise: In 300 words or less, write  a scene in which touch, in combination with other  senses, plays a significant role in describing  the mood or the action. While writing the  exercise, remember to experiment with different words for the same sensation and see which of  those best serve the scene.

 A common mistake in writing is to focus on sight  and hearing, and neglect the other senses, though  those have an important role to play in setting  the scene.

This exercise focuses on the sense of touch.  Think of the adjectives relating to touch: soft,  hard, satiny, coarse, prickly, hot, cold, and so  on.  Dozens of words describe texture,  temperature, and softness/hardness. (In your  favourite thesaurus, look up the entries for  "hard", "cold", "rough", and see the wealth of  words at our disposal.)

 This week's exercise: in 300 words or less, write  a scene in which touch, in combination with other  senses, plays a significant role in describing  the mood or the action. While writing the  exercise, remember to experiment with different words for the same sensation and see which of  those best serve the scene.  

Remember,  the  *primary* focus should be  tactile.   When writing your exercise, keep in  mind  the emphasis must be on touch.  Any other  senses used must take a secondary position.

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Extra-curricular activity: A few times in the  next few days, in different places, stop a moment  and feel the objects around you - the fabric of  your chair, the difference in texture between  your shirt and your pants, the gloss of  tableware, the brick of a wall, the ground  beneath your feet. Think of the possible words  you could use to describe those sensation.

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Critique by assessing how the sense of touch  played a significant role in the description of a  mood or action. 

Areas to consider when critiquing:  Was touch the primary focus?

If not, offer suggestions as to how this might have been accomplished.


Web site created by Rhéal Nadeau and the administrators of the Internet Writing Workshop.
Modified by Gayle Surrette.